Reviews: New York - Deborah Masters at Maurice Arlos
Fine Art
By Jonathon Goodman
Deborah Masters at Maurice Arlos and Smack Mellon By Lilly Wei
'Sacred Matter’ - Karen Dolmanisth and Deborah Masters
By Holland Cotter - Smack Mellon Studios
DEBORAH MASTERS - An American in New York By Paquerette Villeneuve
Thinking Big - Sculptor Deborah Masters Talks about her
‘Angel’ in the Brooklyn Public Library
By Lisa J. Curtis
Deborah Masters at LedisFlam By Nancy Princenthal
“Women in Command”
By Arlene Raven
Public Art in New JFK Terminal By Cathy Lebowitz
Being Met At the Airport By New Art - Big, Bold Installations
For a Rebuilt Kennedy Arrivals Terminal
By CELESTINE BOHLEN
Awards...
Greenline- Revelations- Artist and Activist
Philadelphia Inquirer- In Sculptor's Figures, A Mysterious Gravity
ART GUIDE - Last Chance
Missing Cloth’s No Cover-Up
By Pete Bowles
The Fine Art of Traveling
“Artist Adds Loincloth to Jesus in JFK Mural”
By Warren Woodberry Jr.
Blushing, Then Brushing, Artist Covers Nude Christ
By SUSAN SAULNY
Hipster auf Asbest
Nur eins stört den industriellen Charme im Szeneviertel Williamsburg:
die Industrie
Thomas Fischermann
New $1.4 Billion Terminal at J.F.K. Aims to Ease Waits for Passengers
By Ronald Smothers
Crossing Brooklyn: Angel in Crown Heights
Deborah Masters
Describing the theme of her narrative relief panels mounted on a 300-foot
wide space above the immigration booths, sculptor Deborah Masters emphasizes
the familiar, as well as the diverse in New York
Terminal Bliss / New York's JFK
By David Butwin
First Class - Skidmore, Owings & Merrill designs
a new international terminal at JFK. By Edie Cohen
“New York’s JFK Airport Opens a New Terminal”
“Casts of Thousands”
By Bonnie Schwartz
Blue Angel: The Decline of Sexual Stereotypes in Post-Feminist
Sculpture By Michael Brenson
“Beyond Slickness: Sculptors Get Back to Basics”
By Michael Brenson
LedisFlam - ‘Covert Action’
By Elizabeth Hess
“Garden of Statues Grows at Chico State”
A Publication of the Art Department of California State University at
Chico
“The Monoliths Have Landed”
Mural Modesty - After complaint, artist adds loincloth
to nude figure of Jesus - By Paul Mose
Newsday Copy- Profile- Sheila McKenna
“Visiting Artists & Scholars”
- Deborah Masters
California State University, Chico
Forsaken Warehouse District Is New York’s Latest Art Home
By Blake Gopnik
“New York in Review”
By Robert Mahoney
Women at War 1993
By Ruth Bass
X-rated Jesus given face-saving Y-fronts
JFK Catalogue Copy
LedisFlam
‘Trails of Showing Sculpture in Park’
“Three Sisters and a Rose Garden”
“Sister, Sister: Masters’ Final Sculpture
Project Looks Inward”
By Courtney Rastatter
“Sculpture’s New Location Solves Controversy”
By Lauren Dodge
“Sculpture Garden Receives an Angel”
New Yorker, Nancy Ramsey, Loft Tenants
Brooklyn Magazine
Brooklyn Artists, The Newest Left Bank
Amy Virshup, 1986
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The New Zealand Hereld, World New
Thursday, April 26, 2001
X-rated Jesus given face-saving Y-fronts
By INDEPENDENT
NEW YORK - New Yorkers fell victim to an outbreak of political correctness
this week when an artist responsible for a giant mural in a soon-to-be-opened
terminal at John F. Kennedy Airport agreed to paint a white loincloth
over a previously nude Jesus Christ.
There was a brief moment of panic among executives responsible for
the new building when a construction worker saw that Jesus had been
depicted in the nude.
He contacted the Catholic League for Religious Rights, which in
turn was poised to file a complaint with Mayor Rudy Giuliani, who
has been campaigning for "decency standards" for art in
publicly funded places.
So gratitude overflowed when the artist, Deborah Masters, accepted
that the tidiest solution was simply to climb a ladder and save
the Saviour's modesty by applying a little cloth to cover any embarrassment.
But passengers will have to look hard for the Jesus figure - it
is only 45cm high and is part of a wall of 28 sculpted reliefs stretching
90m.
The director of the Catholic League, William Donohue, commended
the artist and officials involved.
Giuliani first blew his top about art he considered anti-Catholic
in September 1999 when a collection of Saatchi-owned artworks arrived
at the Brooklyn Museum of Art with a piece showing the Virgin Mary
dappled in elephant dung.
This year, the same museum got into trouble with a photograph entitled
Yo Mama's Last Supper, featuring the female artist - nude - in place
of Jesus.
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