
ARTLETTER, A Publication of the Art Department of California
State University at Chico, 1991
“The Monoliths Have Landed”
Nineteen concrete monoliths – each weighing between four
and eight thousand pounds – finally have found a home near
the west entrance to Ayres Hall after three other locations fell
through. Distinguished Visiting Professor Deborah Masters conceived
of the project as a way of teaching Graduate Sculpture Students
“all that I know about making public sculpture in one semester.”
Below, Masters and four participating students discuss the project
with Dolores Mitchell.
Mitchell: Deborah, what did you hope your students would learn
by means of the monolith project?
Masters: Within the first week, I realized few of the students
knew each other, and they came from so many backgrounds –
architecture, construction, painting. I wanted a project that could
pull the class together and came up with the monolith idea. I decided
that if students leaned how to make steel armatures with clay bodies
and plaster molds that they would cast into concrete, plus acquired
some political and organizational skills of the sort I’d had
to develop in New York while doing public commissions, in one semester
they’d have all I could teach them.
Mitchell: What sort of support did you get from other people in
the University?
Masters:
The Plant Operations people were really wonderful in helping us
with all the permits we needed. Brooks Thorlaksson always came to
our aid, and Dean Heinz’s belief in the project really helped
us.
Roberts: Robin Wilson was out there watching us often, and given
moral support. Mitchell: Susan, your piece is figurative, while
the other monoliths are quite abstract. Why?
Bardin: Mine is a cenotaph, showing a woman giving a little boy
up to the heavens. It’s a memorial for a cousin of mine who
drove to Florida in his van and was never seen again. Inside the
monolith are some of my cousin’s clothes, a dirty shirt and
bandana, an old love letter from his wife. My sculpture will help
him to live in the hearts of his family, even if his body is never
found.
Mitchell: Over the months, your site changed several times. How
did you and students deal with that?
Masters: We’d all have to get together, build a new model
overnight and become committed to the new idea, after having said:
“Oh, we can’t possibly do it again.”
John Hubenthal: Then, no sooner did we have the site squared away
on campus by the creek, when mysterious anonymous petitions appeared
that were against erecting the pieces. We set up information tables
and tried to build support for the sculptures.
Masters: I’m glad it happened. The result was very educational,
the kinds of things sculptors always encounter in the real world.
Ross Roberts: I agree. The unity of the group was enriched through
overcoming so many obstacles.
Jeff Ferrando: We had to learn to deal with other opinions. While
I was at our information table, I spoke a long time to one lady
before I realized that when she thought of “concrete”
she saw vertical sidewalks in her mind.
Hubenthal: The whole process was great. We learned to depend on
each other, working twelve hour days, all semester, laughing, plastering,
molding.
Ross Roberts: We worked miracles. We removed a 48 foot by 45 foot
solid concrete slab that was 8 inches deep. The loading of the concrete
into a dump truck was a gigantic job, but when one person gave up,
another too the lead.
Susan Bardin: It was hectic, lots of hard physical work that was
tough on my body. My father was a house builder. I’d watched
him a lot and had always wanted to participate in something similar.
I liked the entire process of working in concrete from welding rebar
to covering the armature with Styrofoam to molding the plaster.
We had to get used to being filthy…had to build up our physical
strength.
Masters: If you want something badly enough, there are no limits
to what you can do.
Roberts: Deborah was like a psychotic Mother Teresa, fronting with
her own money when funding was delayed.
Masters: Students put themselves on the line too, and made things
happen.
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