Reviews: New York - Deborah Masters at Maurice Arlos
Fine Art
By Jonathon Goodman
Deborah Masters at Maurice Arlos and Smack Mellon By Lilly Wei
'Sacred Matter’ - Karen Dolmanisth and Deborah Masters
By Holland Cotter - Smack Mellon Studios
DEBORAH MASTERS - An American in New York By Paquerette Villeneuve
Thinking Big - Sculptor Deborah Masters Talks about her
‘Angel’ in the Brooklyn Public Library
By Lisa J. Curtis
Deborah Masters at LedisFlam By Nancy Princenthal
“Women in Command”
By Arlene Raven
Public Art in New JFK Terminal By Cathy Lebowitz
Being Met At the Airport By New Art - Big, Bold Installations
For a Rebuilt Kennedy Arrivals Terminal
By CELESTINE BOHLEN
Awards...
Greenline- Revelations- Artist and Activist
Philadelphia Inquirer- In Sculptor's Figures, A Mysterious Gravity
ART GUIDE - Last Chance
Missing Cloth’s No Cover-Up
By Pete Bowles
The Fine Art of Traveling
“Artist Adds Loincloth to Jesus in JFK Mural”
By Warren Woodberry Jr.
Blushing, Then Brushing, Artist Covers Nude Christ
By SUSAN SAULNY
Hipster auf Asbest
Nur eins stört den industriellen Charme im Szeneviertel Williamsburg:
die Industrie
Thomas Fischermann
New $1.4 Billion Terminal at J.F.K. Aims to Ease Waits for Passengers
By Ronald Smothers
Crossing Brooklyn: Angel in Crown Heights
Deborah Masters
Describing the theme of her narrative relief panels mounted on a 300-foot
wide space above the immigration booths, sculptor Deborah Masters emphasizes
the familiar, as well as the diverse in New York
Terminal Bliss / New York's JFK
By David Butwin
First Class - Skidmore, Owings & Merrill designs
a new international terminal at JFK. By Edie Cohen
“New York’s JFK Airport Opens a New Terminal”
“Casts of Thousands”
By Bonnie Schwartz
Blue Angel: The Decline of Sexual Stereotypes in Post-Feminist
Sculpture By Michael Brenson
“Beyond Slickness: Sculptors Get Back to Basics”
By Michael Brenson
LedisFlam - ‘Covert Action’
By Elizabeth Hess
“Garden of Statues Grows at Chico State”
A Publication of the Art Department of California State University at
Chico
“The Monoliths Have Landed”
Mural Modesty - After complaint, artist adds loincloth
to nude figure of Jesus - By Paul Mose
Newsday Copy- Profile- Sheila McKenna
“Visiting Artists & Scholars”
- Deborah Masters
California State University, Chico
Forsaken Warehouse District Is New York’s Latest Art Home
By Blake Gopnik
“New York in Review”
By Robert Mahoney
Women at War 1993
By Ruth Bass
X-rated Jesus given face-saving Y-fronts
JFK Catalogue Copy
LedisFlam
‘Trails of Showing Sculpture in Park’
“Three Sisters and a Rose Garden”
“Sister, Sister: Masters’ Final Sculpture
Project Looks Inward”
By Courtney Rastatter
“Sculpture’s New Location Solves Controversy”
By Lauren Dodge
“Sculpture Garden Receives an Angel”
New Yorker, Nancy Ramsey, Loft Tenants
Brooklyn Magazine
Brooklyn Artists, The Newest Left Bank
Amy Virshup, 1986
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The North Brooklyn Community News - GREENLINE
“Crossing Brooklyn”
Deborah Masters Creates “Angel in Crown Heights”
NY- Opening January 6, 2003, a new series of works entitled “Crossing
Brooklyn” will be exhibited at Brooklyn Pubic Library’s
Central Library on Grand Army Plaza. The series, free and open to
the public, will present new works by Brooklyn artists whose innovative
sculptures reflect enduring aspects of life in the borough. This
exhibition is organized for Brooklyn Public Library by Smack Mellon
and curetted by Marian Griffiths. The series will continue with
works by Tom Kotik March 6 – April 25 and by John Beech Mary
2 – June 27.
Deborah Masters, known for such works as her 28-panel “walking
New York” reliefs at JFK International Airport, “Sacred
Matter” at Smack Mellon Studios, “Circle” in the
Whitney Museum of American Arts’s “Urban Figures”
show, and “Pong Virgins” created for Brooklyn’s
Prospect Park, will open the series with a new installation entitled
“Angel in Crown Heights.” The installation will be on
view in the Lobby Gallery January 6 – February 27, 2003, with
an artist’s talk Saturday, January 11 at 2 pm. In tandem with
“Angel in Crown Heights,” will be an exhibition of the
preliminary drawings of Masters’ work for JFK International
Airport on view in the Central Library Balcony Cases on the second
floor. It’s been great creating a work about Brooklyn to exhibit
at a public venue like Brooklyn Public Library,” says Deborah
Masters. “It gives me the opportunity to bring my work to
people who will relate to the installation as a familiar community
experience. It’s sharing my work with an extended family,”
“Angel in Crown Heights: is a site-specific work of a larger
than-life sculpture of Angel and three large black and white drawings
overlaying the three walls of the rectangular Lobby Gallery space.
The figure is based on Master’s assistant Angel Mohammed.
The sculpture of Angel, seated on a box and drawing on his knee,
is cast in Ultra cal and painted in earth tones with a dull finish.
Angel sits within the context of the three drawings, of the crown
Heights neighborhood where he grew up. One drawing, situated on
the central wall of the gallery, depicts stairs leading up to the
front door of his brownstone, with adjacent drawings featuring the
buildings on either side.
The combination of the two mediums of sculpture and drawing create
a provocative juxtaposition of weight and textures in Master’s
work. Her figures are massively stated, yet her themes frequently
have to do with our transit through this world, our environment,
and our place in it. Her work seems to suggest figures of ‘everyman’,
endowed with the intrinsic weight of life, journeying through with
the epic struggles that face us all. There is nothing small or provincial
about the way Masters sees or renders humanity in her sculptures.
Like the monumental figures of Aristide Maillol or of classical
Greek sculpture, the weight of human experience is substance made
live in Masters’ work. The cultures, textures, and imperfection
of humanity as rendered in the human figure are both representative
and specific in her work. The personal is the historic, and vice
versa.
Brooklyn Pubic Library offers a range of exhibitions and cultural
programs year-round at the Central Library and branches to highlight
the arts and humanities in Brooklyn. BPL provides public venues
to showcase the work of established and emerging artists, frequently
bringing the work of Brooklyn-based artists and smaller non-profit
arts organizations to a wider audience.
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