Reviews: New York - Deborah Masters at Maurice Arlos
Fine Art
By Jonathon Goodman
Deborah Masters at Maurice Arlos and Smack Mellon By Lilly Wei
'Sacred Matter’ - Karen Dolmanisth and Deborah Masters
By Holland Cotter - Smack Mellon Studios
DEBORAH MASTERS - An American in New York By Paquerette Villeneuve
Thinking Big - Sculptor Deborah Masters Talks about her
‘Angel’ in the Brooklyn Public Library
By Lisa J. Curtis
Deborah Masters at LedisFlam By Nancy Princenthal
“Women in Command”
By Arlene Raven
Public Art in New JFK Terminal By Cathy Lebowitz
Being Met At the Airport By New Art - Big, Bold Installations
For a Rebuilt Kennedy Arrivals Terminal
By CELESTINE BOHLEN
Awards...
Greenline- Revelations- Artist and Activist
Philadelphia Inquirer- In Sculptor's Figures, A Mysterious Gravity
ART GUIDE - Last Chance
Missing Cloth’s No Cover-Up
By Pete Bowles
The Fine Art of Traveling
“Artist Adds Loincloth to Jesus in JFK Mural”
By Warren Woodberry Jr.
Blushing, Then Brushing, Artist Covers Nude Christ
By SUSAN SAULNY
Hipster auf Asbest
Nur eins stört den industriellen Charme im Szeneviertel Williamsburg:
die Industrie
Thomas Fischermann
New $1.4 Billion Terminal at J.F.K. Aims to Ease Waits for Passengers
By Ronald Smothers
Crossing Brooklyn: Angel in Crown Heights
Deborah Masters
Describing the theme of her narrative relief panels mounted on a 300-foot
wide space above the immigration booths, sculptor Deborah Masters emphasizes
the familiar, as well as the diverse in New York
Terminal Bliss / New York's JFK
By David Butwin
First Class - Skidmore, Owings & Merrill designs
a new international terminal at JFK. By Edie Cohen
“New York’s JFK Airport Opens a New Terminal”
“Casts of Thousands”
By Bonnie Schwartz
Blue Angel: The Decline of Sexual Stereotypes in Post-Feminist
Sculpture By Michael Brenson
“Beyond Slickness: Sculptors Get Back to Basics”
By Michael Brenson
LedisFlam - ‘Covert Action’
By Elizabeth Hess
“Garden of Statues Grows at Chico State”
A Publication of the Art Department of California State University at
Chico
“The Monoliths Have Landed”
Mural Modesty - After complaint, artist adds loincloth
to nude figure of Jesus - By Paul Mose
Newsday Copy- Profile- Sheila McKenna
“Visiting Artists & Scholars”
- Deborah Masters
California State University, Chico
Forsaken Warehouse District Is New York’s Latest Art Home
By Blake Gopnik
“New York in Review”
By Robert Mahoney
Women at War 1993
By Ruth Bass
X-rated Jesus given face-saving Y-fronts
JFK Catalogue Copy
LedisFlam
‘Trails of Showing Sculpture in Park’
“Three Sisters and a Rose Garden”
“Sister, Sister: Masters’ Final Sculpture
Project Looks Inward”
By Courtney Rastatter
“Sculpture’s New Location Solves Controversy”
By Lauren Dodge
“Sculpture Garden Receives an Angel”
New Yorker, Nancy Ramsey, Loft Tenants
Brooklyn Magazine
Brooklyn Artists, The Newest Left Bank
Amy Virshup, 1986
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The New York Times, The Metro Section
Wednesday, April 25, 2001
Blushing, Then Brushing, Artist Covers Nude Christ
By SUSAN SAULNY
Several
strokes of paint in the form of a loincloth have quieted the latest
furor over controversial religious art in New York, this time in
a new terminal at Kennedy International Airport. There, in an 8-by-10-foot
relief depicting a store selling religious items – part 300-foot-long
mixed-media mural of New York street life -- was a 12-inch sculpture
of Jesus on the cross. Naked.
The image apparently left several construction workers at the terminal
aghast, even though it was not anatomically graphic. One worker
called the Catholic League for Religious and Civil Rights, the national
group that has twice protested images it considered insulting at
the Brooklyn Museum of Art. (The latest involved an artist's depiction
of herself as a nude Christ figure in "Yo Mama's Last Supper.")
William Donohue, president of the Catholic League, compared the
offense to "going to Howard University and seeing Martin Luther
King without his pants on." Mr. Donohue called an airport official
to complain, then several of the construction workers in Terminal
4 were asked for their advice and the artist was consulted. Within
the day Friday, the issue was resolved. The artist added a loincloth.
Unlike in previous incidents involving religious images and public
art, Mayor Rudolph W. Giuliani was not involved, nor did his new
decency panel weigh in.
The artist, Deborah Masters, said that she had meant to clothe the
Christ figure all along, but had just forgotten. The management
company overseeing the construction project, JFK International Air
Terminal, released a statement yesterday, saying, "We support
the artist's decision to revise her work in this way, and believe
that all of the works of art will contribute to Terminal 4 as a
passenger-friendly, pleasant travel experience." Mr. Donohue
said the workers, who did not want to be named, were "happy
they put a drape on Christ's midsection." The mural, which
was privately financed, will be unveiled May 24.
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